Friday, October 29, 2010

Miosotis Nadine Jansen

bastards LETTER FROM THE CHAIR OF THE BROTHERHOOD


Madrid, October 29, 2010 Dear Comrade


:

Today 77 years after the founding of the English Falange, the National Association of English Falange Banderas wants to wish a happy anniversary all comrades, all Falangists still fighting in different trenches, remain unavailable to the disappointment in the struggle for a republic is a sovereign whose only National-working people, and the defense of our sacred ideals, Pan, homeland and Social Justice.


For Country, Bread and Justice
SPAIN UP!

Tuesday, October 12, 2010

Tescos Bread Maker Manual

NOTHING WE HAVE NOT ADVANCED. LONG BEFORE THE TEACHER'S ROMAN ABBEY CAPE


have ever been in history dedicated people as possible to increase their wealth, but it is certain that the experience had eneseñado the most, only a relatively small number of cases could be rich. For that happening until the end of the eighteenth century that most of the men lived free from a strong tendency to enrich themselves, deriving their capacity to work who provided a different kind of satisfaction to that of accumulating and concentrating capital. Also occurred naturally, they were, so to speak, blinded, shortly before it, the possibilities of wealth. It was small thing that we now call "business." The existing fortunes were feudal, and the families owning them, generally belonging to the nobility, fell far short of delivering money to financial speculators of any kind. On the other hand, trade unions, union companies were ways economic quasi-static, very slight tilt to the adventure.

The advent of mechanization first consequence was to change the picture completely. men were offered numerous ways to get rich quickly. BIOEN The thing was simple. Had made the discovery of beings, machines that produce things much sought by the people, in terms of cost tempting.

The discovery of the mechanical means of producing goods, came the discovery of means of transport to get around making the consumption centers in comfort and in the shortest possible time. The economic result was splendid. Everyone could post the golden orientarseen industrial and commercial, just appeared. There was room for all who were coming because, apart from the world consumed voraciously all products, there was also the possibility, thanks to technical progress and ingenuity distributor, beating rival makers, taking away the market when he got a danger depletion, using more perfect machinery, streamlining the production more efficient and effective organization also transport.

In such a situation, it seemed almost impossible that we can stop the manufacturing process because they could always difficulties be overcome either by the conquest of new markets, either through the use of machines and faster perfect.

not concern us here now but noted a few paragraphs, the immediate cause of the growing frenzy that seized the man in whose power sector was the industrial unit. New industries emerged to thousands, is renewed every time your inventory, always introducing reforms that tended to produce more and more in less time. As, of course, that advanced industrial technology, was to obtain more powerful financial resources to mount large factories, as a side machinery became more expensive by its very complexity and perfection, and another, imposing the vertical organization of production, to accomplish specific cost conditions and winning battles to free competition.

The large profits made by the industrialists came to be used in the form of financial capital for new companies to develop compelling production, the amplification of the old and the acquisition of necessary tools, more and more expensive . The financial capital available is insufficient, and then increased large corporations, banking institutions, who collected the savings and availability from the numerous financial private fortunes, both those made and arising in the process of industrialization, as the old fortunes static, linked to land.

Everything came and went then to the service of world production. Increased each day the ideal of getting rich. New businesses and the significant broadening of the old, continued to require great financial resources. These were obtained through various forms of speculation and credit management. Only inexhaustible and continuous successes achieved, ie, producing more and better every day, I could really go holding speculative formidable apparatus weighed on global production network.

An economic system as well, production indefinitely, and base to go with the shackle maquinístico imprisoning more and more financial and human conditions in which production takes place, holds tremendous contradictions. For the moment it appears, for big industry, the slightest hint of crisis, a forced reduction in production, would find that, having prepared the conditions for the reverse, ie to further increase performance, a decrease would ruin their own bases of existence. The industry is large, así, que no es libre para regular la producción.

Pues hace, por ejemplo, cincuenta años, si en cualquier rama industrial ocurría que se precisaba disminuir en un veinte por ciento su ritmo de producción, ello era tarea factible sin trastornos graves, retirando un número mayor o menor de obreros, que al minuto pasaba a ocupar otro puesto en otra actividad, o en otra industria diferente. Pero hoy, tal fenómeno adquiere inmediatas proporciones de catástrofe. En primer lugar, porque esos obreros despedidos no tienen dónde trabajar de nuevo, y en segundo, porque se proyectaría sobre la vida económica un peligro aún más hondo, con ser el del paro angustioso en extremo: el peligro stops to let machinery. This stopping of the large machinery, tooling very expensive large-scale industry is an accident of such magnitude, which plunges vertically entire economic mechanism. Do not forget that capitalism itself is, strictly speaking, that means holding machine. If they are stopped, the ruin is immediate and absolute, because its value eneorm, having been in the majority of large farms is purchased on credit, it is only in terms of permanent production.

But financial capital, with its fluidity caracterísitca is and appears linked to the most number of industrial production, and this in a simultaneous ie, by interference, which make it extremely sensitive to any crisis, regardless of the area where they arise. With the actions of a large company a different financing, with credit and financial volume of establishing beyond, and all this tissue comes to saving and small capitals via the banks and increased especualción stockbroker.

The economy of capitalism-owned large credit-mechanized and relies therefore on a hard drive, at the base are extremely dangerous contradictions. Private households, large and pqueños business, private wealth, and live at the expense of fragile reality.

In the ideal culmination of enrichment, is that picture. By adopting the men north, and start the ascent to his achievement as an individual, liberal, each with its own problems, their economy and their dreams, the consequence is that all bound to appear soon, pending the same dangers and playing the same card. Paradoxically, then, the liberal-bourgeois mentality, which began a period of individualistic economic revitalization, in which "everyone" was looking through free competition, build their own wealth, ending instead in a closed economic system where a entretejodo highly complex unites in a single body all the riches all.


RAMIRO LEDESMA RAMOS. Address to the youth of Spain. Chapter VII-The ideal of progressive enrichment

Wednesday, October 6, 2010

Invitation Etiquette To Pay For Dinner





"The map is not the territory," said the philosopher . However, the maps are the key to understanding the unknown places, real and imagined. VideoFest This year, through the Mission Cultural Center Latino Arts in Los Angeles, invites travelers, explorers, immigrants and travelers of all types to submit short videos that explore the lesser known aspects of everyday life. Thumb, Atzlan, the land of Bolivar, Morazan, The Mission, El Barrio, the pachanga. Whether from his porch, down the street. Mission to the Lomo. AZ, Los Angeles, Buenos Aires, Mexico City and everything else in this VideoFest 2010.

VideoFest Official Selection:

Homes for the Homies (Gloria Moran, 2009, 13 min.). A resident who has lived most of his life in Mission preserving the historical memory of his neighborhood through his art.

Medellín (Patricia Montoya, 2009, 10 min.). A poetic farewell to the city where the filmmaker spent his youth.

The history of Oak Park (Valerie Soe and Russell Jeung, 2010, 20 min.). When immigration agents raided his home, a Guatemalan immigrant family is divided, thus presenting certain challenges for all involved.

Videos Bay Area Video Coalition

  • "The Apollos" (6 min.). A retrospective of effective student campaign to gain recognition in the Martin Luther King Day.
  • 'The Midnight Hour' (7 min.) A search poetics of hope during the darkest moments of life.
  • 'Momo' (5 min.). In a faraway place, this video offers an intimate glimpse into the daily routine of a family of street vendors.
15 to October 17, 2010

During the weekend will meet in a relaxed atmosphere, various contemporary manifestations around the moving image and sound, four video programs, two concerts, a long and a round table together with spaces for the meeting. We started on Friday with a program curated by JULIO audiovisual platform for contemporary art, with its roots in film, music and theory. Published online July www.thisisjulio.com The program presented here is composed of a series of works that revolve around the future, creating a tension between fiction and reality.
against
On Saturday, all the programs look to the past to memory images (also construction of fictions) and to images of oblivion. As stated by Jerome Laffont in Algeria, images d'un combat: "The time gives the images a strange destiny. Once immediate use is gone, immediately become memories. Regards known or forgotten memories in the archives. Then one day, some of which are again brought to light, dusted the place where they were dormant and then come back to us remember. "Throughout the day we will see a set of productions that speak of the hidden images in our eyes and expressly forgotten or destroyed, but dormant or in the file or in memory. The projections will be attended by Vencent Meessen (Nova Vita) and Fernando Baños (The contemplation of war) who made a presentation on their work. Complementing the two video programs projection of the film To shoot an elephant in the presence of director Alberto Arce Miguel Salvatierra dialogue with at the end of the projection.

and close the weekend with a thematic program curated by Fionn Meade curator of the Sculpture Center in New York, who has chosen to throw personal creations a special look back at images from memory.
The music is completed with two concerts that explore the file also in search of sounds from the past: The Dead Rat Orchestra and English folk songs sung by Lorca recovered by Josephine Foster and the Victor Herrero Band. All accompanied by snacking, drink and chat spaces and encounters.


PROGRAM

VIE 15 starts the weekend with a wine to awaken your senses. In the lobby at 20:00 CA2M
20:30 h: presentation and video program 1. Auditorium.
SAB 16
started the day at 13:00, a good time to start heating the atmosphere on the terrace.
13:30 h. Concert: The Dead Rat Orchestra. After the concert some snacks and talk to the October sun.
16:00 Program 2 Video: Images of memory I. Auditorium. Will be attended by Vincent Meessen (Vita Nova) Throughout the afternoon, tea and coffee around which to meet ... so not cool the environment.

17:30 h. To shoot an elephant, Alberto Arce / Mohammad Rujailah. Auditorium.
19:30 pm Meeting with the director of To shoot an elephant, Alberto Arce and Michael Salvatierra. Auditorium.
20:30 h. Video Program 3: Images of memory II. Auditorium. Have the presence of Fernando Baños (contemplation (of war)

DOM 17 Wake on Sunday the sun on our terrace from 13:00 h. 13:30 h.
Anda Jaleo concert: Josephine Foster & The Victor Herrero Band. After the concert a some snacks and talk to the October sun.
16:00 Programme 4 video: The hypothesis now. Auditorium.
15? 17 OCT 2010 PROGRAM OF VIDEO / FEATURE / PANEL DISCUSSION / CONCERTS / And other delights ...
CA2M

Two Art Center May 23 Constitution Avenue
Móstoles, Madrid
ca2m@madrid.org
www.ca2m.org

Tuesday to Sunday 11 HOURS : 00 to 21:00

ACCESS INSTRUCTIONS
Metro: L12 Pradillo
Commuter: C5 Móstoles (23? From Ambassadors)
FREE ENTRY TO THE CENTRE AND ALL ITS ACTIVITIES
http://cineastaregio.blogspot.com/rss20.xml

Happy Birthday Writing In Arabic

Escorto '10


Avelino Rodriguez AWARD-WINNING PROJECT REAL FELLOWSHIP @ THELIFT

Avelino Rodriguez, director of The Lift, with Evert
Gabriel Ortiz Carrillo, scholarship winner REAL @ THELIFT
Evert
Gabriel Ortiz Carrillo, a student of Communication Sciences at UNAM, the winner.

Scholarship support REAL @ THELIFT provides financial support for $ 100,000. º º pesos for the project, as well as advice on the best producers and directors from Mexico and abroad.
Mexico City, September 10, 2010 .- In Room 3 of the National Film, while the best short films were awarded the sample
Short Short Film Festival
Mexico, Avelino Rodriguez, Director of the Head THE LIFT, awarded the winning real Grant @ thelift that the production launched in collaboration with organizers of the festival with the intention of providing young students of the country the opportunity to develop their film projects and be advised by a staff of specialists in film class.

This first edition of the real scholarship @ thelift called students majoring in communications, television and movies with more original ideas about identity in contemporary Mexico. The winner was Evert Gabriel Ortiz Carrillo, a student of Communication Sciences at the Faculty of Political Science at the National Autonomous University of Mexico.
  • The winning project is titled The Underdogs
  • , and is a documentary that follows the lives of three people working in the metro of Mexico City, which they see the light of day rarely, a chauffeur, a policeman and a salesman. Along with their stories, each on a separate line (Tasqueña "Cuatro Caminos, Pantitlán-Centre and University-Indios Verdes), exploring the parts of the city through which they pass, but they never see, because have to work under them.
  • This project seeks to portray the image of an "underground city", in which there are stories that can often go unnoticed or seem irrelevant to a large number of people. "It will show what lies beneath the majesty of the city and how people who devote their lives to live in this world, but lost of life that offers it, so do not lose their Mexican identity, because what is there suffers and enjoys the same thing that suffers and enjoys abroad, "says the author of the project. The stimulus provided by this scholarship is a financial support of $ 100.000. º º pesos for the production of the winning and as training by THE LIFT.
Avelino Rodriguez, Gabriel Rodriguez Evert and Marco Polo Constansde
Avelino Rodriguez
About
More than 15 years in the business of production in Mexico have been to have a thorough knowledge of the film industry in our country, almost monopolistic stage state investment, through the nineties with 31 theaters in the City, until his own today. Avelino work is always associated with quality today has produced six feature films that go from large blockbusters such as The Blue Room

and
All power to produce guidance as Festivals of a sorcery
Carlos Carrera or
Habits of Simon Bross, the latter with participation in the Critics' Week at Cannes in 2007. Throughout his career he has worked in film production companies in Mexico's most recognized as Altavista Films, Argos, Televisa Cine, occupying different positions with management responsibilities always or producer "in lot." He has produced over twenty short films, hundreds of commercials and collaborated on more than a dozen film projects.
On The Lift
In 2005, Avelino Rodriguez, based in Mexico The Lift, a transnational company, from Barcelona, \u200b\u200bproducing commercials, specialized in providing production services to companies in other countries and represent many of the best talent available worldwide for the Latin American market.
What is the REAL Fellowship @ THELIFT? REAL @ THELIFT The scholarship is an incentive for students film career Communications and / or movie based on telling a story concerning an issue that takes place in Mexico City and to promote the identity of Mexicans. ; Among the objectives of this grant is to foment a sense of identity among young Mexicans through the film production of high quality content, as well as linking students with directors, writers, photographers, editors and other professionals recognized that integrate film industry through a multidisciplinary approach. http://cineastaregio.blogspot.com/rss20.xml